Review: Let the Right One In (2008)
Yes, it does make "Twilight" look amateurish.
from Wikipedia:
Directed by Tomas Alfredson, was released in 2008 to widespread critical acclaim. An English language remake, to be directed by Matt Reeves, is scheduled for release in 2010.I suspect the English version will lose all the subtlety and play down the issues to make it more appealing to the masses, thereby destroying the story in its entirety. It's the timid, subtle cinematographic elements of this film that give it credence. When we look into Eli the vampire's eyes and see how oddly blue they are, even in the dark; when Oskar has a sublte face twitch, or his gaze fades, or he is admiring a classmate. I suspect any English translation will lose its charm, by virtue of us American's having the subtlety of Anne Coulter at a gay pride parade.
If you like morbid-type film, you need to see this movie now. I wouldn't rate it as a thriller or a horror movie, or even a romance; it's kind of all three rolled into one. And very much a movie to watch on a hot, midsummer sunday, when you're lingering on the couch and dreaming of the snow.
This film is ultimately subtle, rarely relying in the cliché special fx we see in typical vampire movies. And perhaps more impressively, it doesn't delve into the romance of being a vampire. Eli's existence is a lonely, solitary existence, for the most part. By virtue of her vampirism, perhaps out of an analogy of outward racism, she is dejected by society and forced to live in an apartment complex similar to the projects. When she meets Oskar, the film's protagonist, we see her standing triumphantly over a busted jungle gym. This is the theme of the film, in fact: to win out, despite your oddness.
The soundtrack was so subtle that I don't even remember there being one and I didn't miss it. That, in my opinion, is the definition of subtlety.
The cinematography was excellent. I noticed no problems with lighting or failed special fx, save during one instance: cats, is all I'm gonna say. You could tell their budget got stretched there, but it wasn't so jarring to cause any permanent damage to the integrity of the film.
This is a modern-day Romeo & Juliet. Oskar is beaten by school bullies, while Eli is subjected to a life of boredom in her apartment. Only by using each other's skills will they find a way out of their pitiful lives.
If this movie fails anywhere, it's in the slow, drawling, almost dream-like way this story is told. Perhaps it is this that reminds the viewer of their own adolescence. Nevertheless, there are times when camera lingers in a place we don't want to be for a touch too long, but that's part of the beauty. I really wanted to SEE the outcome of their spree and I was left feeling as if there was no final development.
There are places the director seemed to feel comfortable, while other places he did not (or could not show us--probably due to budget constraints). If the English translation could flush out these parts, it might be good. I think if they stick to the same point of view as this film, they will do well.
Somebody give THIS movie an Academy Award, please.
Sifted: 9.5/10
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